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67 of 70 found the following review helpful:
WOW!Jul 23, 2000
By Eric V. Moye Oscar Hammerstein took the fabulous classic work of Bizet "Carmen", and made it into a contemporary work and an instant classic now some fifty years ago. There are just not enough superlatives to adequately describe this movie. The first time I saw this was on the stage in LOndon years ago, and I had to seek out the video.Dorothy Dandridge made her career in this one epic work. It is nothing short of transfixing. Seeing her use her charms to turn Harry Belafonte into her slave (what an incredibly lucky SOB!) and then torment him was like nothing I had ever seen before. It is interesting to note that even given the social morays of the time, D.D was so much more erotic in the simple act of putting on her stockings than we see today in a hour of almost total nudity on the screen! I am not sure that there has ever been anyone who burned up the screen any more before or since. Also featured were a young Pearl Bailey and Dianne Carroll. My only question? Both D.D and H.B were fabulous singers in their own right. I have never understood why their singing parts were dubbed. Nonetheless, the contemporary adaptation of this classic music is wonderful.
40 of 42 found the following review helpful:
Dandridge and Belafonte sizzle on screen!Aug 06, 2000
By The Fancy One
"blackprincess"
I saw this movie years ago and was totally blown away by the performances. Now I own it, and my feeling is still the same. Dorothy Dandridge was a GODDESS!! She was in the role of her life and she played it the hilt! Based on the Bizet opera "Carmen", Carmen Jones is a free spirited, beautiful young woman who has broken many a heart in her lifetime with no apologies. When she sets her sights on Joe, the young Army pilot candidate, though, things change forever for the both of them...with tragic results. A ground-breaking love story featuring blacks in the lead roles back in 1954 when it came out, something that was rarely ever done before. Prior to this film, black portrayals on film were mostly regulated to singers, musicians, dancers, mammies, maids and shuffling, uneducated Negroes. "Carmen Jones" changed all of that. Hands down, Dorothy Dandridge deserved that Academy Award, but sadly, she was denied it. Harry Belafonte is GORGEOUS! Great performance for him as the love-sick soldier. Also worth noting is Pearl Bailey's performance as Carmen's wise-cracking best friend. Don't hesitate to buy this video! My 14 year old daughter is in LOVE with this movie, and I know it will be one of your favorites, too. GET IT!!!
13 of 14 found the following review helpful:
Marilyn Horne's voice and Dorothy Dandridge's acting--Wow!Aug 23, 1999
I've seen the stage version of this amazing show, and though I usually prefer the immediacy of live shows, the movie is still tops in my book. Dorothy Dandridge *is* Carmen, and though her voice is dubbed, who can complain when it's dubbed by Marilyn Horne? Every time I see this movie, I find myself wishing again that Dorothy had lived longer, or at least made more movies in her short life. Can you imagine what she'd accomplish in today's film industry?
8 of 8 found the following review helpful:
She was fierce!Oct 16, 2006
By S. Johnson Dorothy Dandridge's role as Carmen Jones made me believe that she was like the sensual being that didn't get to shine because of her ethnicity.She was the epitome of beauty, and I think Hollywood used her and threw her out like yesterday's trash. She didn't have to be naked to let you that she was sexy.Harry was hooked, and since he couldn't have her, nobody else could either, which soon led to Carmen's demise.Bellafonte,Dandridge,Carroll and Bailey played their roles well.
7 of 7 found the following review helpful:
A memorable film accompanied by a great cast.Nov 11, 2006
By Jenny J.J.I.
"A New Yorker"
Although it's been some time since I last saw this film, it is on my "must have" list based on the wonderful musical score, the charismatic leads, and its importance as a vehicle for Black American talent at a time when racial discrimination was rife.
Dandridge would have been a true Hollywood success story had her years in Hollywood been today. America was still hesitant to give black performers key roles in motion pictures. True, we had films such as Cabin in the Sky (1943) but where did that film go to? Otto Preminger must be credited for taking a big chance in making this all-black picture concerning Carmen Jones, who works in a parachute factory, and the soldier, Belafonte, who must escort her to the magistrate when she has broken the law.
Dorothy Dandridge nailed this role as Carman Jones. She is catty, seductive, and has her men wrapped around her finger. Harry Belafonte is sensational as Joe, the naive soldier who becomes prey to Carman. It's interesting to watch Joe trying to tame the wild tendencies of Carman, while a love triangle grows outside of their relationship. It's like watching a cat on a hot tin roof. (oops, another great movie.) An added plus is the wonderful production numbers with dance choreography and songs. The costume, wardrobe, and props reflect the culture of city slickers and country folks, presenting the differences in lifestyles among characters. These differences became evident in Dorothy Dandridge performance, and earn her an Academy Award nomination for best actress. Halle Berry's Oscar acceptance speech for Best Actress in Monster's Ball reminded me of just how far we have come and how long it has taken to reach this stage of the journey!
If you haven't yet seen Carmen Jones - take the time to view this milestone in American cinema history - you won't be disappointed.
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