Tom Hulce, F. Murray Abraham. A spectacular and unique interpretation of Mozart's life and times adapted from Peter Shaffer's hit play. Winner of eight Academy Awards, including Best Actor for Abraham, Best Director for Milos Forman, Best Adapted Screenplay for Shaffer, Best Picture and more. 2 DVDs. 1984/color/158 min/PG/widescreen.

Director's Cut

2-Disc Special Edition

Average Customer Review: ( 210 customer reviews )
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I won't repeat the story synopsis as it's already been thoroughly described both by Amazon.com's critical review and multiple customers here already.

I will say though that this edition, 'The Directors Cut', is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD...gone is the annoying 2 sided 'flipper' that the first release was. You can now watch "Amadeus" from start to finish without having to get up and turn it over. For my money, that's reason enough alone to own this new version.

Secondly, 'The Directors Cut' now adds about 20-30 minutes of previously deleted scenes, placed back into where they were originally intended. Personally I find some of the newer stuff enhances the story overall and fills in some details that were left vague in the original theatrical release. I won't give away any details, but there is a new scene between Mozart's wife, Constanza, and Salieri, Mozart's chief musical rival (and secret arch-enemy) early in the movie that puts an whole new perspective of Salieri's twisted and battered psyche.

As for the DVD itself, the picture and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.

If you loved the original, you owe it to yourself to pick up this version. If you're new to classical music and Mozart, this is the best place to start.

lr** Jan 30,2003

HIGHLY RECOMMENDED.

194 of 209 found the following review helpful:

Theatrical version vs. "Director's Cut"Apr 06, 2005
By WTDK "If at first the idea is not absurd, then there is no hope for it.-Albert Einstein"
If you're a fan of the original theatrical cut of "Amadeus" you'll have mixed feelings about the "Director's Cut". While I perfer the latter for a number of reasons, the feeling and flow of the original theatrical version differs somewhat from the "Director's Cut". The most important part are extended scenes that include Salieri agreeing to help Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the show between Mozart and his leading lady. There's also a longer sequence involving Salieri's visit to Mozart comissioning the "Requiem". Most of the material adds to the power of the film while a few sequences just give additional back story on various characters. The original theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour "Director's Cut". Forman also provide a fascinating commentary track for the film along with writer Peter Shaffer ("Equus").

The image quality for the "Director's Cut" is superior to the original theatrical version. The film was restored to its original luster for re-release resulting in much more natural flesh tones and a sharper visual image as well. The colors which play in important part in conveying the themes of each sequence are more robust and vivid. The theatrical version looks quite good although it was first issued on DVD as a "flipper" (meaning you had to flip it over) DVD after roughly two hours to watch the last third of the movie. The big advantage for the theatrical version is Neville Mariner's score on an isolated track.

The second disc of the "Director's Cut" has one terrific extra, a brief talent list and the original theatrical trailer. The marvelous behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer's stage play to the screen. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it's quite a few documentary as it is. There was plenty of room on the second disc to include Mariner's isolated score but the documentary is really all we get.

As to which is better--it's a toss up. Both versions of the film work extremely well although I prefer the "Director's Cut" for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner score of Mozart's music that appeared on the original disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.

A story of envy, lust and anger "Amadeus" focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who composed his first piece at the age of 4 and produced a remarkably large body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a remarkable performance). This is really Salieri's story as his jealousy drives him to destroy Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart's music, he can't help but want to destroy its creator. Salieri's quaint compositions can't hold a candle to Mozart's complex, original and brilliant pieces.

Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow ("Three Weddings and a Funeral"), the only performer that doesn't do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly just prior to shooting. The stunning production design, cinematography and sharp direction make "Amadeus: The Director's Cut" an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer ("Equus"), a great 30 minute documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the original film elements, the film hasn't looked this robust and colorful in quite some time. The digital anamorphic transfer looks marvelous and almost rich enough to eat. This version doesn't replace the original theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.

Highly recommended, this examination of the destructive power of jealousy still resonates with power, passion and wonderful music. If you're not an opera buff, I'd suggest skipping this for, while the film is powerful, part of the power comes from appreciating the music that Mozart wrote. We see a lot of excerpts from a variety of Mozart's operas throughout the movie. Whichever version of the movie you choose, you'll sure to be delighted. I'd give the "Director's Cut" a slight edge for better picture.

26 of 29 found the following review helpful:

This is the edition of Amadeus to get...Feb 11, 2003
By Michael Behuniak
I first saw "Amadeus" around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long love of and appreciation for classical music.

I won't repeat the story synopsis as it's already been thoroughly described both by Amazon's critical review and multiple customers here already.

I will say though that this edition, 'The Directors Cut', is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD...gone is the annoying 2 sided 'flipper' that the first release was. You can now watch "Amadeus" from start to finish without having to get up and turn it over. For my money, that's reason enough alone to own this new version.

Secondly, 'The Directors Cut' now adds about 20-30 minutes of previously deleted scenes, placed back into where they were originally intended. Personally I find some of the newer stuff enhances the story overall and fills in some details that were left vague in the original theatrical release. I won't give away any details, but there is a new scene between Mozart's wife, Constanza, and Salieri, Mozart's chief musical rival (and secret arch-enemy) early in the movie that puts an whole new perspective of Salieri's twisted and battered psyche.

As for the DVD itself, the picture and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.

If you loved the original, you owe it to yourself to pick up this version. If you're new to classical music and Mozart, this is the best place to start.

lr** Feb 10,2003

HIGHLY RECOMMENDED.

12 of 12 found the following review helpful:

Yes, it makes more sense, but is it better?Oct 13, 2003
By marco
The first thing I did with this was watch the "making of" bonus documentary. I had only recently re-watched the film, and wasn't sure I wanted to see it again, so soon. But when I realized how much extra footage was there, I got curious. With all the formerly excised bits put in, the flow of the narrative becomes clearer. Salieri becomes more pathetically wicked, and Mozart becomes more worthy of our empathy; especially from the standpoint of "the plight of the artist". We more fully understand their motivations.

Even Mozart's wife's character is complexified, as well as their marriage (a short spat scene). Thus it takes on a character unlike the original. It's just a bit less "easy", as most Hollywood productions are these days.

But I'm still not sure I prefer this. This is because, although, as I say, this "psuedo biography" makes more sense in its narrative, the scenes that were added are sometimes questionable from a qualitative standpoint. There is an American actor who plays a patron, for example, who hires Mozart to teach his young daughter music; but the scene is so over the top, that it's easy to see why it got cut. Though, you'll understand (and it speaks volumes about how Mozart is portrayed), why Mozart is so smugly sucking on a wine bottle as he walks through the busy streets afterward.

But the scene in which I always thought Salieri's final reaction to Frau Mozart's ploy to get him to help them--wherein he drops the portfolio and leaves the room--makes a lot more sense here. So some of the revived scenes fix small annoyances like this one.

So, as I say, if, like me, this is one of your favorite films, you won't be disappointed by this version, but you will begin to think, perhaps, that the film would have seemed a bit flawed if all of this had been released in the first place. And even wonder if it would have been so popular. So buy the original theatrical version, and rent this--you may like it, but it's left me conflicted--and thus you may decide for yourself before plonking down the loot, how you feel.

Some movies are like old friends, and it's a little difficult to adjust, if say, for instance they show up with a nose job....same deal here.

15 of 17 found the following review helpful:

Impressive....Oct 20, 2006
By Mr Bassil A MARDELLI "Antoun"
Music apart, and in so far as human behaviour is concerned; this movie describes, without a sense of annoyance, the vicious innovations of man's cunning and cleverness, consolidated mainly in the person of Antonio Salieri.
Interesting to see Salieri, in neat costumes and ingratiating in obvious feline way, set himself to captivate the emperor's attention and please `his friendly enemy' Mozart.
Perhaps the main source of competition between Mozart and Salieri was related to who would be able to win Da Ponte's librettos before the other. Of course the movie tells us that Salieri contrived to get rid of Mozart and blocked his advancement from becoming the Emperor's Kapellmeister.
Five main events are not shown in the movie:
1)Mozart's claim that Salieri tried to poison him (this was never proved).
2)The two notorious pupils Mozart taught, Beethoven and Sussmayr.
Beethoven was a great admirer of Mozart and later used him as a model (Piano concerto No 4 - G major - and Mozart's K503 - C major - is one example)
3)In his last days Mozart composed his unfinished masterpiece (and never will) `The Requiem' that he discussed with Sussmayr (not Salieri). However there is no proof that Sussmayr was actually able to complete Mozart's Requiem.
4)In Mozart's presence Salieri was brusque and even harsh in manner to Constanze (Mozart's wife), behaving like he was the only man in the Royal Family.
5)Mozart's friendship with Hayden (They both were members of the same Masonic Lodge)

Nevertheless, this movie inspires you with so many sentiments that one feels the loss of Mozart is like the loss of one's soul.

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